Moirai
Moirai is an exploration of the experience of time through an interdisciplinary practice rooted in improvisation at the intersection of dance and language.
Everyday language often reflects a conception of time based on a modernist vision of linear progress. In this perspective time is moving relentlessly forward, in a constant flow that can be measured. Moirai enquires into alternative kinds of time: circular time, cyclic time, asynchronous time, heterogenous time, parallel time, multiple time, mystic time. Those times are what medievalist Carolyn Dinshaw calls queer forms of temporalities and have the potential to open up to a possibly fuller, more complex, understanding of what we call past, present and future. Moirai’s point of departure is a dance score inspired by the mythical figures of the Three Fates (the Moirai in Greek mythology), who are said to be able to see all of time
Everybody is dancing, at all times they can choose between those activities:
Keep on dancing.
Observing the other’s dance.
Observing the other’s dance and describing the parallel time (future or present or past) they see through that dance. The description is made in the present tense.
Through the score, the dancers come close to the Moirai by playing with their power in a human capacity: imagining themselves able to see past(s), present(s), and future(s) through the dance that unfolds between them. The score activates a feedback loop in which dance and spoken description continually influence each other, opening space for reflections on time, the perception of time, the measurement of time, and how time is shaped by social norms. Moirai is a collaboration between Alice Martucci, Birgitte Skands and Peter Vadim that started in 2019. In the summer 2020 the project was in residency at BIRCA in Bornholm.
Concept and choreography: Alice Martucci
Performance: Birgitte Skands, Peter Vadim, Alice Martucci
Photo credit: Alen Aligrudić
Video editing: Kai Merke



